Acrylic Fusion. Experimenting with Alternative Methods for by Dan Tranberg

By Dan Tranberg

This precise reference publication is designed to excite and inspire you to push past conventional thoughts and to discover new ways to portray. Acrylic Fusion frees you from conventional ways to portray through exposing you to a various diversity of different thoughts, unconventional methods, and the combination of distinctive fabrics that stimulate creativity and inspire experimentation. it is a must-have source aimed toward artists who make work, however it is usually an outstanding reference for any crafters, makers, and DIYers who use paint of their paintings, whether or not they make paintings journals, layout greeting playing cards, or refinish furnishings as the thoughts can simply be tailored for plenty of other kinds of tasks and purposes.

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Extra resources for Acrylic Fusion. Experimenting with Alternative Methods for Painting, Collage, and Mixed Media

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TECHNIQUE NO. 14 SGRAFFITO UNEARTHING LAYERS BELOW The ancient technique known as Sgraffito, which literally means “to scratch,” has been used for centuries in ceramics and painting. The idea is that a topcoat is scratched through to reveal color below. Adapted to acrylic painting, the process of scraping or sanding through a topcoat allows for somewhat unpredictable results that can be very exciting as strange color juxtapositions emerge and rich textures take form. { MATERIALS } > EXISTING PAINTING ON A RIGID SUPPORT > FLUID ACRYLICS AND/OR HEAVY BODIED ACRYLICS > SANDING SPONGE Getting Started: This version is best applied to a surface that has been somewhat built up with painted shapes.

It can be covered with plastic and will keep in the tray for a week or more. Variation: Once a marbled sheet is dry, it can be used again, repeating the process to add more layers and to modify the image. Try using both opaque and transparent colors. In this example, alternating droplets of Opaque Carbon Black and Opaque Titanium White airbrush colors were used for the first layer. The second layer was made using the same black and white as well as Transparent Yellow Oxide and Transparent Shading Gray.

8 L). Stir until the powder is dissolved, and allow mixture to sit until it is clear. 1 cm). The size may be used immediately, but letting it stand for several hours will ensure that the particles have fully dissolved. STEP 3: Begin to apply paint to the size in single drops. Golden Airbrush Colors can be used straight from the bottle. If using fluid acrylics, dilute them 1:1 with distilled water and use eyedroppers. Some colors will spread across the size faster than others. If a drop of paint sinks to the bottom of the tray without spreading across the surface of the size, try diluting it with Golden Airbrush Medium, Transparent Extender, or water.

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